Right now I am working on particularly challenging tracks that need a lot of work but still need to maintain their basic character. When I switch back to working with non-problematic tracks, it might become my go-to compressor. So far, I haven't found it is what I am looking for on male vocals, electric guitar, or bass guitar, or even string bass. Maybe I'll like it on drums or keyboards tonight, when I get to those stem submixes. Mhschmieder wrote:Yeah, I admit it sounds great, I just haven't found an application for it yet.
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